mihai popescu kicks off a new label, steppin motion records, with two of his own brilliant tracks. the romanian artist has been a key part of the scene since 2012, releasing on labels like soulsity, rora and bass culture. he has a slick electronic sound that is here for all to here on these two new cuts.

steppin motion is a record label based in paris and managed by swoop. it aims to promote music as an art, as something beautiful that gets your body and soul in motion. this first ep is in two parts, showcasing both sides of the label: the first part is the most dance oriented, whereas the second part will be more soul / beauty oriented. the amazing artwork comes from vesod, who is an italian street-artist painter from turin.

selfsuficient is first and is ten minutes of slippery house music with lovely chords and melodies all making for a warm and infectious groove. it is colourful, loose and rhythmic stuff that oozes a futuristic sense of soul. neasteptat is deeper, with rubbery drums and woodpecker like sounds all weaving round each other to cast a spell on those who hear it.

these are two terrific tracks that connoisseurs of minimal house are going to lap up.

the chisa years: 1965–1975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. thom jurek of allmusic wrote “in sum, there isn’t a weak moment on this entire collection. it’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. bbe records has done a stellar job in making this slab available.” dan nishimoto of the prefix magazine stated “the compilation focuses on masekela’s original idea of “african american music.” from the early experiments of the zulus (a group featuring m’bulu) in mixing doo-wop, rhythm & blues and south african gospel and the mbaqanga/”grazing in the grass”-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekela’s band in the mid-’70s, consisting of players from ghana and nigeria) and the readyfor-primetime belting of m’bulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.”

ltd 100 copies, yan tregger can be considered as one of those composers and instrumentalists who have successfully explored various musical styles during their career, a true experimentalist with a motley repertoire, including pop, soul, jazz, rock, and even disco, he remains a must-have for connoisseurs. from the 1960s to the present day, whether as a composer, arranger or conductor, he is the author of more than 25 albums intended for the library music. the majority of his timeless works, coveted by -diggers- around the world nowadays, set his uncommon productions well apart. with their singular arrangements and rhythms which have the particularity of -sticking- to each musical era, his music continues to delight dj s and other beatmakers. this reissue of catchy, allows the listener to rediscover musical moments from an era full of inventiveness. a spirit of creativity very hard to match again today...

felipe gordon perfectly balances raw house with an edgy disco influence. his songs follow a less is more, fewer is better ethos, with each element meticulously placed, optimized for shaking booties.

!! repress !! points new year, new concept: maceo plex locks down 2018 with a fabriclive mix and his new mutant series that sets out to explore the more mutated side of his signature cosmic techno further than ever before. similar to his conjure series in 2015, the new releases will reside across labels run by peers maceo respects and is inspired by, with some also featuring on his much loved ellum imprint. correspondant are proud to release the debut ep, mutant 1. three tracks deep, each version tells the same story from a different perspective, mutant disco tells it from the bassline’s point of view as a latent funk thumps with wry mischief, mutant dx shows things from melodic side with its rolling bulbous bass lead while mutant moog closes the ep by surging us even deeper into the stars with a crisp sinewy arpeggio that sucks us in and, like all card carrying mutants, refuses to let us go. time to mutate.

pattern repeat ready the next release on their self-titled label with two solid cuts of techno this may.
the project which was started back in 2009 by the two danish producers, dennis bøg better known as resoe, owner of baum records and its off shoot baum limited picture edition, and kenneth christiansen owner of echocord records. each of their releases move into different realms of techno,and have gained support from the upper echelons of dance music, from the likes of rodhad, levon vincent, and dario zenker.

a crawling filtered synth opens ‘009a’, murky kick drums and syncopated high-hats join it, to create a long winding warehouse melody, these are then exchanged for the hazy sounds of white noise of ‘009b’ packed with cold eerie drones, that are met by charged hums that fizz away and bring the release to a close.

farron gets back on shaw cuts with his fourth record, invincible shaolin a tale of double-dealing, rivalry, royalty and bad blood. manchu general pus evil quest to eradicate the shaolin tradition unfolds, cunningly pitting north and south shaolins against each other. spring break ya neck opens the clash with its rhythmic shifts and whirling synth pads. the northern masters prevail. after pus henchmen secretly kill the southern shaolin, the general blames the masters from the north, unleashing chaos. cosmicaph restores order, its pounding drums and floating melodies giving new strength to the southern shaolin. revenge must be taken. to prepare for conquer, the southern master sends three of his disciples to three masters to learn their secret weapons. sir hatch sets the pace with rolling punches, dirty synths and sharp percussion as the three disciples transform into lethal fighting machines. just before the final encounter between the shaolin, leibniz lands on the scene with his fresh interpretation of spring break ya neck, revealing to both schools that they have been deceived. joining forces, north and south battle the general and his men, led by leibnizs funky drum patterns and turbulent synth action. and the shaolin spirit lives on

amsterdam-based artist and format-label honcho juan sanchez himself delivers a quartet of tracks carrying his signature sound for the label’s thirteenth release. never one to settle for the ordinary, juan sanchez’ latest outing follows a more conceptual approach to techno. each track adds its own flavor to the mix, with the ep as a whole being a combination of dubby and dancefloor-fused material. synth and bass arps, stripped grooves and driving drums are the main ingredients of juan’s sound, all of which come together across this ep’s four-track canvas. the result is a balanced mix of both dubby and dancefloor-tinged techno laced with experimental twists and turns. with his new release, juan adds another quality slice of techno to the format roster.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

tokyo tag-team kei and nagi sugano, aka dazzle drums, have been responsible for secret weapons in the bags of some of the finest djs since their debut in 2005. in addition to supporting danny krivit each time he plays in tokyo, the duo periodically floats him exclusive edits to test out during his expansive sets. two of these in particular have become regular features on m. k s dance floors, and it is these prime choices that have been selected for the latest release on most excellent unlimited. -brothers gonna work it out- takes the cinematic soul classic and toughens it up with a propulsive drum track and immaculate editing to extend and energize the already powerful tune. -get down boy- is a relentlessly driving disco cut whose dramatic synth-and-string heavy instrumentation provides a plush bed for seductive female vocals before giving way to a tremendous bass break that is certain to leave dancers in a sweat. reverently mastered and spread over a wide-grooved 12-inch single, it s another meu sure-shot.

excise is a vinyl-focused label based out of san francisco, california. each release pairs a regional californian techno artist and a local visual artist, thus serving as a platform to fuse the two local creative scenes. its first release features label co-owner muon with 3 hypnotic raw analog tracks. many of these tracks received heavy play time in the san francisco underground, and now are seeing a broader release for the first time.

hessle audio is proud to present the first collaborations between longtime friend joy o and saxophonist ben vince. introduced to each other by jon rust, the two tracks are a result of studio sessions together as well as manipulation of bens existing recordings. both tracks explore the tonal, textural and rhythmic possibilities of bens playing within a focused dancefloor framework. ben vince will be releasing a solo lp with where to now? in late may, featuring collaborations with micachu and percussionist rupert clervaux.

for over 4 years, david coccagna aka chaperone has been a constant part of great circles, as musician, art director, and muse. with snapback balaclava he once again fully embodies all of those roles, delivering three inspiring tracks, selecting his remixers with specific attention to their musical histories, and designing his cover art. across the a-side, chaperone scrapes away at the grit – personal grit, the grit of anxiety, and philly grit. these are meditations on loops, and loops on meditations. each one appears on the surface to be a brief quote, but time dilation takes over, and minutes later we discover that chaperone has welcomed us into and back out of his own healing moment. like chaperone s p o n d release grcr-009, the b-side of snapback balaclava is a great circles extended family affair with a trio of diverse remixes that expose and exploit fragments of the chaos chaperone so carefully contained. hitoshi kojima thrive reinterprets pulse feels swells beating with relentless syncopated rhythms and synth lines that hang like massive string drones. m//r lays down a signature percussion ensemble palette, zeroes in on otherwise peripheral elements of grit neglect, and then deftly navigates sea change with both. matt korvette and sean mcguinness of philly punk band pissed jeans open up the pit and finish the story, taking femur baseball bat to its literal and brutal potential with monstrous vocals and kicks.

cititrax is excited to present the third in a series of four song samplers showcasing the talents of some of the most innovative producers of the moment. cititrax: tracks volume three features the a powerful new collaboration between amato (aka the hacker) and mariana saldana (medio mutante, boan), the brutal industrial techno of barcelona based british producer the sixteen steps, a polish mastermind based in miami known as his dirty secrets, and the nyc underground duo further reductions (shawn o’sullivan and katie rose). the overall sound can be described as modern, uncompromising and guttural. each artist reinvents dance music by bringing their own unique vision to the floor. artwork designed by veronica vasicka and sourced from polaroids shot in nyc clubs in the 1980s, cititrax: tracks volume three is pressed on blood red clear vinyl – limited to 999 copies and housed in a matte printed sleeve.

man powers me me me label proudly presents a very special new compilation, we we we, which will see all profits donated to the vital help refugees charity. the release boasts 25 new and exclusive tracks from a wide range of artists both new and established including pional, juan maclean, shit robot, medlar, asok, ian blevins and more. as well as the full album, two limited, vinyl-only samplers will also be released, with each featuring one exclusive track that is not available anywhere digitally.

vinyl only / 300 copies / 180g vinyl / fifth release and a 4-tracker ep featuring sweely, ghini-b, flavio folco & redj aiming to please different moods. with each their own backgrounds & emotions you may struggle to describe the vibe, whether it tastes more house or techno but it will definitely bring people together.

straight through your veins – thats how we like techno and thats his prime discipline. dave tarrida once again proves his sense for legendary blunt techno sound. without hesitating, he smashes out 4 tearing tracks as his new album release on snork enterprises. it’s like he unveils a relentless confession for genuine nonstop techno sound. each of the 4 new tracks bears this dirty industrial feeling that turns the club into a rave cathedral. and you simply wanna pray for more. plus, it will be the first vinyl release by snork enterprises with a freshly new design, which will stick out of your record rack for sure, of course very snorky!

its a pleasure to get behind your friends from around world, in fact that’s the motive behind the breadth of the esp institute catalogue, but its truly a special feeling to represent your friends and your neighborhood at the same time. producers sonns (alexandre mouracade) and the mysterious venice beach native tavish graham are both long time friends of the esp institute family, we break bread, we take care of each other, and we cherish our collaborations more than anything, but we’re also neighbors. that said, esp is proud to announce a homegrown endeavor, the debut of sonns & tavish. the two have long been stewards of the los angeles underground, but after loads of early morning banter and the camaraderie that comes with this smoke’n’strobe life, they’ve now committed their singular vision to print—two epic cuts that make us proud. side a’s title track trycksaker is a thumper, a mid-tempo big-drum-laden beast that chugs the whole way through carrying an array of eerie bleeps and fleeting sighs. side b’s roguish days pulls together influences from various corners of the pair’s dj repertoire, gelling a wicked breakbeat with a wormy acid bassline and even more exotic sighs, something that might possibly grow into a signature of sorts. this release is ready just in time for the spring/summer exploits, and we couldn’t be more proud to finally enjoy hearing these heavy-hitters in the club. tip!

night palms is a compilation lp dedicated to night palms’ artist trevor tarczynski (rip). 7 individual tracks written, performed and produced by brian ellis, boy dude, xl middleton feat. ghost, mat/matix, moon b, jomeo pugz, elegant borzoi feat. megan doherty. cover/jacket artwork by trevor tarczynski with layout by margaux solano and inner label artwork/layout by michael steffen.

rsd 2018 title - 22 hits from bunny striker lee, made between 1967 - 1976, when reggae went international....to celebrate the 50th anniversary of top flight reggae producer and icon bunny striker lee’s involvement in the reggae business and producing one of its biggest catalogues, we are releasing his greatest hits package ‘reggae going international’ as a limited record store only release of 175 copies each on heavy weight red,green and gold vinyl in a deluxe gatefold sleeve.

tom dragebo is a norwegian born dj and berlin residential producer whose love for techno and house music is infectious and radiates through every set he plays. hailing from a small leafy town in norway, dragebo has been djing for over 10 years and has been producing tracks since 2008. his latest release being the critically acclaimed so good ep on cleanroom records. his emotive and powerful debut for full pupp is a real tech treat well rounded by each a sparkling, driving pt diskomiks and forcefully clapping and delicately swirling prins thomas pure acid rett i fletta versjon.

mihail p first came to light on respected label seventh sign before popping up just recently on verdant recordings alongside esb, and now he s back once again with the multiverse ep on distant worlds. his influences are clear, from the elegant melancholy and attention to detail of early uk techno to the snappy electro rhythms of drexciya, and he exercises those influences brilliantly on each of these four tracks. there are abundant tender synth lines criss-crossing intricately programmed drum machines in a true celebration of machine soul, all shot through with a heavy-lidded ambience that makes for some of the most captivating techno out there at the moment

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

dj, producer and rex club resident molly presents the third ep for her rdv music imprint, drawing on talent from across her native france, featuring fellow parisian aleqs notal (clek clek boom, sistrum) and 1977, as featured on syncrophone s for those who know imprint. while each side and artist offer their own distinctive flavour, percussive, classy late-night house music is the main course ideal for late nights under dim red lights.aleqs notal pays tribute to the timeless appeal of spinning analogue wax throughout opening track, sweet rotation a simple hymn to the essence of house music, bubbling gently on bright keys and woozy basslines. hands on follows, offering a more nocturnal angle on this enduring aesthetic, reducing the energy but enhancing the atmosphere even further, both on-record and across any packed dancefloor.the more southern sensibility of 1977 brings drumwork to the fore, weaving an exotic, patient tapestry of bubbling, alluring synths and analogue feedback across two confident, percussive jams. while vodoom indulges in tension and intrigue, ep closer jdlf is pure, unwinding pleasure, across which each of 1977s influences and instruments are offered freedom to breathe and evolve.with this installment of emminently classy and supremely confident house, rdv music continues to prove itself as one of the most worthy musical institutions on the contemporary parisian scene.

berlin based jens dohle is a man of many talents. an accomplished composer and arranger for theatre productions across europe, classically trained multi instrumentalist, explosive live drummer for ye:solar, munk, hot coins, sado opera. longtime collaborator with danilo plessow aka mcde and noema from african shakedown fame. remixer for jazzanova and 4 hero. there s not enough room here to list his amazing work. 2018 ushers forth a new identity to his already enviable c.v with his first ep as james dole (a jokingly anglicised version of his birth name). the 3 tracks here all showcase his ability to create a strong mood and use great splashes of melody and rhythm but without ever losing the groove. written during a period of introspection in deepest, darkest berlin, each one tells a different story. ex is a moody monster of a track. it builds and builds into a pounding nightime symphony with a kind of epic-ness which hints at many years spent mining the highs and lows of music, love and life. big room yet with a gut wrenching soul beneath the slightly flamboyant majesty. made in east berlin and well road tested in the cities debauched nightclubs. fantasia shows off mr doles jazz and broken beat background with rolling, funky drums sashaying with hip hoppy live jazz keys. then those signature euphoric yet melancholic synths appear halfway through the track to create an emotionally halcyon mood. wibes. the ep closes with grande. super melodic yet cinematic with amazing synth work and a sophisticated arrangement showcasing james s well trained musicianship and artistry. an opus of melody and longing built for italian arthouse films about unrequited love. dj support from - midland, honey soundsystem, sandrino, jimpster, ame, dvs1, shadow child, joe goddard, red rack em, futureboogie, soft rocks, domenic cappello, downtown party network, danny russell

after recent outings from the likes of felix leifur and tlim shug, frits wentink is back on his own bobby donny label. his previous releases have been solo affairs but this time he is in collaboration with tristan hallis aka dj boring. the origins of london based dj & producer lie in australia, where he was raised and cultured amongst some of the most interesting musical phenomena of the 21st century a1 is an inventive tune with bristling drums and break beats run through with warped vocals, razor sharp hi hats and mellow padts deep but dynamic and will get you on your toes. b1 then chops up more trippy vocal samples and curious synth sounds with elastic, pinging kick drums and makes for something woozy yet groovy and full of intrigue. last but not least, b2 channels classic deep house vibes with balmy pads, garage style percussion and more slick drum work that really brings something fresh. this is a trio of cuts that bring the best out of each producer and results in truly original music.

having played at on loops 1st birthday in 2017 after guesting on moxies nts show the previous year, we are delighted to welcome lk back to the family for our seventh release. hailing from leeds, hes been a producer on the rise for a few years now after standout releases on labels like shall not fade and ruff draft. previously releasing under the alias viers, as lk he offers something with a more soulful touch. each offering on the three-tracker brings something slightly different to the package. title track ‘dreams has been made with the dancefloor in mind, whilst the summery ‘(i wanna) make luv 2 u is drawn from laid-back soul and motown influences. slow burner ‘summer of 93 closes the ep, with a direct nod to the slinky vibes of 70s disco.

vinyl-only ep with tracks taken from debut album, discovery in the atomic garden - previously releasing as community corporation on argot and crisis urbana recordings. like changing the channel, changes in one’s life can suddenly bring about a new perspective. after moving from detroit to seattle, producer taylor hawkins suddenly found himself on flora fm. previously recording as community corporation, this fresh beginning in emerald city brought new sounds into hawkins’ repertoire. where he was once surrounded by cheap boogie and disco records in detroit, seattle’s used bins were full of uk imports, early 90s ambient techno records and the idm that followed. these new influences injected judicious breakbeats and top notch electro sensibilities into his already adventurous midwest techno aesthetic. it’s as if his music has come alive, each song a new sound world abuzz with fluttering synths, nimble percussion, and soaring melodies. recorded as single live takes using an mpc to control his drum machines and synthesizers, the flora fm music flowed quickly from hawkins and needed only gentle edits. the eight tracks on his digital debut album, discovery in the atomic garden, document his experience finding his way in seattle and in life, all through the lens of a fantastic and somehow futuristic musical viewpoint. the vinyl-only ep atomic garden includes four of the album’s most danceable tracks, all wrapped in gorgeous artwork by patrick savile

his latest release i know from elypsia records is a quintet of detroit inspired remixes of the song i know. inspired by kevin saunderson, his original techno mix (7:06) is a hardcore and high energy track with intensity to match the wildest of crowds. the ep also contains 3 remixes of the track, each exposing and accentuating the brilliant aspects of his complex tune. it begins with the lucien foort remix (6:41), a lively big room hit with a punch fit for an epic saturday night. uk mix (6:46) follows with subtle electric melo-dies and rhythmic drum and bass patterns that give listeners the feel of wonder and excitement under a clear starry sky. with a clean and gravitating groove bit float remix (7:42) would fit perfectly in any ibiza party with flair and style.

killer stuf on klasse wrecks sub label zodiac! frozen russian plains rich with moondust and cybo-fog lie still, a faint rumble is heard from behind the horizon and buttechno checks his pulsemeter 5000, deciding to head on whilst he still can. sonic lighting strikes the dead earth, leaving echoes that reverberate for miles around as digital feedback waves sore through the airless landscape. buttechno steadies his exxo-bike, firing the back up atomic engine before taking a deep breath and heading into the lost and forgotten city. zcapri is the seventh of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever gone and dead.

australian man of mystery privacy returns to klasse wrecks after a 3 year hiatus and the wait has most certainly been worth the while. four original tracks make up the new product ep, with the artist exploring new styles and tempos. ranging from electro-speed to stomp-wave, each track is a masterclass in the style of privacys ever expanding body of work.

stand out acidicted 6 tracker by exemptional musican fabrizio rat. two different worlds joining each other for an unbelievable and profoundly listening experience. the classic piano – played with fabrizios right hand and the tb-303 and other analogue machines played by his left hand. he truly forms an hypnotic state of mind for the listener. no more words here, just listen please! outstanding conceptcover, shrinked and high quality pressing. cut and mastering by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, future four returns after a hiatus of several years, pushing into new eras, machines and ideals with connection. initially a solo project of andy meecham, the brains behind emperor machine, chicken lips, and bizarre inc., connection is the first future four release to feature the contribution of erol alkan as a permanent member, and is a coupled with a remix from i:cube. a veritable powerhouse of synths, vintage drum machines and all man-ner of effects, connection unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of fm synthesis and psy-chedelia. on the remix, i:cube takes the unpredictable rhythm of connection and coaxes its versatile, multiple elements into a timeless slice of boogie house. nurturing the outsider casio feel of the track under a musical heat-lamp, the always forward-thinking frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

- amazing and lovingly crafted box
- red colored vinyl in 180g
- strong limited numbers worldwide
- very special printed banderole
- each vinyl in a fullcover printed sleeve - more than 40 tunes - 10 vinyl -

the boys from politics of dancing records launch their new imprint, p.o.d crxss. it s a label of collaborations, of paths crossed, it s about friendship, having fun making music with each other. the first release is understandably done by parisian artists, as djebali, franck roger and politics of dancing have been long time friends, deejaying together for years. the result is two quality deep house tracks, cut for dance floors, one track pressed on each side of the vinyl for maximum dynamics and dj friendly use. friends, music and party, thats what it s all about.

verdant recordings 3rd ep is a collaboration between the rising talent aos and sonitus eco. a debut release on vinyl for aos who has previously released digitally on blankstairs with the enchanting 90 east minialbum. sonitus eco should be well know for his own harr label and for his majestic ambient and dub techno projects with silent season. on this release both bring their love of deep atmospheric and melodic techno for two original works which are then reconstructed by each other. its fascinating to hear how these tracks reshape the original signatures. an ep that reaches for the stars and yet is subtly introspective and melancholy. 180g pressing an once again the artwork features the beautiful colours of sophie o leary.

relaxers fifth ep is the final edition in the self titled series that began in early 2016. th six tracks are split between viscous, serpentine techno and liminal, dubbed out beatless passages. my reminiscence opens with a shivering groove and a terror-soaked atmosphere before giving way to the more monolithic wormholing of headache. stevie and blister pack drift further afield from the dancefloor, rippling and reforming. each side is closed out with a brief passage: empty promises and health is wealth are evocative and fleeting snapshots.

limited lp on marbled red vinyl + dl card + riso printed, numbered (10 prints, 30 copies each) and signed artwork by sam scarpulla. eagerly anticipated debut album from the celebrated sound-architect jasper maekelberg. intelligent and adventurous psychedelic pop: a multicoloured fusion of sparkling percussion, crafting beats and tempting vocals.

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

this vinyl is a tribute to esplendor geometrico, one of the greatest industrial music icons in spain and abroad.
each one of these remixes has been produced by local artists from madrid, homecity of the band, as their particular homage and acknowledgement of the crucial role that the group has been playing as an example and a catalyst for the most avant-garde electronic music scene. thanks!...
special thanks to our friend and fellow andre&#769,,,,s noarbe, the man behind geometrik records and rotor discos. this project wouldn t have been possible without him.
the original tracks from esplendor geometrico selected for this release are included in their last lp -fluida mekaniko- published on geometrik records.

the supermegafunkinmachine s first official record with la scimmia records, offers the best vintage funk/disco-nu disco music. one track on each side, but every track is full of different musical suggestions, old school 70 s funk, a bit of psychedelia with a special attention for the club culture.

the long awaited ep by will buck & prtmnto finally sees the light. soul sides ep showcases their search for a perfect loop with three originals and a super smooth remix courtesy of parallax, a new collaboration of c.scott. each original was mixed by lovedancing s own, pontchartrain.

the happiness is back! after his debut in future times, repetentes 2008 checks the third 40% foda/maneirissimo 12 release as -os maneiros-, an ep showcasing the sound that only the fail experiences of gabriel guerra s school years could bring. with his trademark sound of sped-up boogie and happy-as-hamtaro fusion, repetentes 2008 packs it up four crazy tracks that are perfect for bringing up your mood. -lucas freire birthday- it s that crazy instant hit accompanied by a chit-chat between two friends (lufreire and timidozinho) who doesn t seem to get along but love each other. supervagabundo is flute-filled fusionness with conventions and solos that could make even casiopea get jealous. in the b-side, -nova berserker- gives you the chill in a ymo-esque fashion by showing how things works when it get s the glassy and digital synth fever and -fofo shuffle- closes with the cute triplet groove and a beautiful and bubbly melody. are you suffering from po-faced music in the dance floor? no problem, repetentes 2008 s -os maneiros- is the cure, the sugar that you gives you the rush without losing the joy! get it now!

adesso, the new sublabel of disco segreta, is proud to open his catalogue debuting with the first gino pavan album in 40 years! -absolute- is a full-on contemporary electronic -concept album-, entirely written, composed and played by gino. eight tracks, where gino explores the multiple dimensions of the concept of the absolute, experimenting on guitars, synthesizers, electric sitar and percussions, on a 30 minutes journey into darker territories. with every sound originally crafted by gino in his studio, and a compilation of videos created as a visual companion for each track, -absolute- sheds a light upon the music he always wanted to release, revealing his erudite background as a musician/composer.